Robin Soans is an actor, and a playwright specialising in verbatim and documentary plays. Buy the script. You might need to say goodbye to characters and stories even though they’re interesting, and indeed to characters that you might like to play as an actor. Indeed, actors with the company Recorded Delivery went as far as wearing earphones during performances, listen to recordings of interviewees while simultaneously portraying them in order to recreate speech patterns and hesitations precisely. In this exercise, the group will create a short ensemble piece of verbatim theatre.
(She also commended “the artsy bits”. Registered Charity no: 1033059. There will be a focus on finding the theatricality, and the characters, in the story. As the name suggests Verbatim plays are written using only the precise words spoken by people interviewed about a particular event ... Consulter l'avis complet.
Talking to Terrorists by Robin Soans, Oberon Books, 2005, Learn how and when to remove this template message, https://en.wikipedia.org/w/index.php?title=Robin_Soans&oldid=915615623, BLP articles lacking sources from August 2008, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 14 September 2019, at 09:12. Yet it was his equitable commentary that provided the evening’s most salutary moment. Certainly, the knowledge that we are hearing words that have been spoken rather than fabricated brings an inarguable authenticity. For more information about our privacy practices please visit our website.
When talking about the editing of the conversations, Soans says that he will sometimes need to manipulate certain words for the purpose of clarity and fluidity. Robin Soans, whose plays include Talking to Terrorists and The Arab-Israeli Cookbook, has … Explain why you want to talk to them and what the project is about.
By continuing to use this website, you consent to our use of these cookies. Once you have collected a number of characters (you may decide you need to interview someone again), the next stage is to decide whose stories and accounts to include in the play.
Robin Soans (born 20 June 1946) is an actor, and a playwright specialising in verbatim and documentary plays. For me, it’s a goal achieved to be able to reach young people in this way. It was adapted as a film (2002) with a starry cast.
Breaking down the text into short phrases can create a montage effect. It premiered at the National Theatre’s temporary space The Shed.
Try to remember particular gestures or phrases, as these will help you when it comes to relating the interview back to the group.
When those words are spoken on stage, we’re reminded that the waste of life extends far beyond the dead. They can respond together to questions where appropriate, or chip details individually as they are remembered.
Robin Soans, writer of Talking to Terrorists (2005), notes that the audience for a verbatim play understands “that they’re not going to be lied to”. Practical guide to making verbatim theatre. Verbatim theatre can look at the whole picture, or at least a wide range of view-points, without needing to find a specific ‘angle’ – although of course, the author of a verbatim play edits, censors, and rearranges just as the editor of a documentary would: David Hare conceded of his play The Permanent Way (about British Rail’s privatization), “I’m all over it like a rash”. Change ), You are commenting using your Google account. Verbatim work allows a range of voices and perspectives to be heard and represented in a vividly immediate way. Other tribunal plays at the Tricycle covered the Stephen Lawrence inquiry, the Scott Arms to Iraq Inquiry, the Bloody Sunday Inquiry, the Srebrenica UN War Crimes Tribunal, and the Nuremburg Trials. Ryan Gilbey is the New Statesman's film critic.