eh? There is a cool setting that make your guitar sound like a baritone and it's actually pretty brutal sounding with overdrive. Why I won't be getting the Nano Pog: This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register. The latch mode is sweet and if you hook a delay before and after it you can create cool sounds that makes your board feel alive. Yeah - I'm planning on getting the pitchfork - I was just curious if there was something big I was missing here. It 'does' more so the whammy does/pitch shifting, and maybe more besides but I wasn't after that functionality anyway. So would you say that for my purposes, as it is a tried and tested formula, go for the pog (especially if prices will drop)? 1. My guess, and I stress guess, is that the two signal paths in the pog might be more expensive to build. Unless being able to control the blend of upper and lower octave is crucial, in which case, you want the Micro (or Nano) Pog. Messages: 2,125. If you want to get involved, click one of these buttons! Ya, as if there weren't enough complicating the decision, now there's the Nano Pog. Pitch Fork. I would recommend getting a pitchfork and a cheap expression pedal for the same cost as the nano and enjoy all those extra features! For instance, if I were trying to do a two piece band with just guitar and drums, I'd want the POG, since splitting it out to the second amp gives it so much more depth and breadth. The place for all things related to guitar pedals. I tried the pitchfork but didn't get on with it. Supporting Members list unlimited gear with no listing fees in the Classifieds, get instant Keyword Alerts, and get Free Shipping at the TalkBass Store. I just got a Pitchfork, more for Whammy chores, but I really haven't put it through its paces yet. Downside? Unless being able to control the blend of upper and lower octave is crucial, in which case, you want the Micro (or Nano) Pog. term for the musical effect it produces. I'm gonna return to the store this weekend and trade in the Pitchfork for the Nano POG. pedal, get the Pitchfork! 3 years ago. Unless being able to control the blend of upper and lower octave is crucial, in which case, you want the Micro (or Nano) Pog. Couldn't put my finger on it but it's quite a binary pedal - that particular effect or setting is on or off. Any tweaks to the POG are limited to altering the amount of lower octave to synth-i-fy the fuzzed tone! Pitchfork obviously has a lot more features that you're probably already familiar with. It has noticeably slower tracking and isn't really the same type as the POG. Another consideration is that the Pitch Fork has a much lower current draw than the Micro Pog. If you want to get involved, click one of these buttons! In any case, both of these pedals I think are excellent, and the tracking sounds miles and miles better than my old boss harmonizer pedal. Oct 18, 2000 Oakland, CA. Que pasa? Also, the expression pedal input allows it to act as a whammy. It's more fun and sounds bloody great with some dirt on it as well. It does what I want and love the flexibility of it. The main difference I see is the Nano POG having the separate wet and dry outputs. Octave generator vs transpose. Top priorities are the ability to shift +/- one octave, and to have as accurate tracking as possible. Micro Pog vs. Nano Pog just got much easier for me. "Up octaves" I didn't compare as closely but Pitchfork sounds just fine. The Pitchfork makes a better bass sound than the Nano Pog. I'm thinking of a new project at the moment involving 1 guitar and no bass. It looks like you're new here. It's used be pros wooorrllldddwide as it tracks really well, really really really well. Speaking of the price difference: Driven Crane likes this. W. witafro2 Member. I just picked one up to replace the larger Foxrox Octron on my board to save some room and love it. If I just want to ‘play’ an octave down (and optionally blend with dry), are these two pedals functionally the same? On the other hand, the pitchfork has an expression input so I really don't know. Also, the nano pog is due out v.soon so second hand prices will drop, The pitch fork works a tad different I think, haven't used one but seen enough demos. If you need to control the volume of both the upper and lower octave individually, get the pog. I have a pitchfork out for delivery to me as I type! whammy bar or tremolo arm, although vibrato is the technically correct The Nano POG ‘generates’ a signal for an octave down and an octave up, then has a knob for each of these plus one for dry; allowing you to blend the three. The Micro sounds great, tracks well and is flexible enough for what I want. Gold Supporters see zero ads! Nano POG vs Pitch Fork. To add some interest and fattening to the guitar, my thought is to use an octaver (possibly constantly on, possibly for specific song sections - advice on this welcome too). Messages 706. Hey, I was wondering if anyone could help me decide between the pog mini or the pitchfork. I was faced with the same choice. Aug 27, 2015 #44. minty901 Member. Is there some deceiving Doppler thing going on? Press J to jump to the feed. Just in time for tonight's rehearsal! It would also be good to … Unless you mask it with OD or something. Slightly bigger. Would love it if i could get it modded like that! Not better just slightly different. It seems to me that the Pitch Fork actually has more functionality than the Nano, yet it is cheaper. I did check the MP through a tuner, and both synthetic pitches were true, but my ears tell me they're out. Also the nano pog version is due to ship soon. Close. Am I right in my understanding so far, that the PF basically does what the POG does, only with more features? That's what I determined testing them and it's the general consensus. I had the Micro POG, but found it to be too "artificial" or "synthetic" sounding. That's what I determined testing them and it's the general consensus. Is one better tracking/tonewise than the other? To me, the nano sounded like it tracked slightly faster, not by much. Joined 2016-11-23. The hiss on the Pitchfork is seriously bugging me as my rig is literally dead quiet without it. TalkBass utilizes technology from //Commerce that may give us a small affiliate commission on purchases made via links on our site. I really like the pitchfork, and I think it tracks very well. Pitch Fork vs Micro POG. I don’t suppose you can comment on that? I'm aware that the PF doesn't have the function to blend the upper and lower signals in the mix, but if I have just one selected, I can blend that with my dry signal? It tracks well, it is small, and half the price of a POG 2. The Bigsby was the first successful design of what is now called a All in all, I don't think you can go wrong, but for the way I use effects the nano wouldn't quite cut it. New comments cannot be posted and votes cannot be cast, More posts from the guitarpedals community. I haven't had direct experience of the Micro Pog ( I had the Mooer Pure Octave for about 24 hrs and thought it was awful - really warbly) but the Pitch Fork is bloody brilliant and I think is capable of a lot more. http://www.thefretboard.co.uk/discussion/60602/, https://www.youtube.com/channel/UCnrTHP_TYYvR5n4CrRwXnpA. There will be lots of recommendations for the Micro Pog as they're so popular, but unless you need to blend different amounts of both +1 and -1 octaves, the Pitchfork will do it all and more, plus it's smaller. It's even cheaper than the pitchfork, but it's laid out like the POG, has a 2nd sub control and toneprint capabilities. "Up octaves" I didn't compare as closely but Pitchfork sounds just fine. Newbie. Electro Harmonix Micro/Nano POG vs. This makes me wonder if the legendary POG polyphonic-pitch-shifting algorithm is NOT in the pitchfork, maybe it has more features but a less sophisticated strategy for pitch shifting. with a Pitch Fork and an expression pedal you can make whammy-type noises too! But I played both in the store for a while and as far as I can tell they sound exactly the same (when set to comparable settings of course). 1.‘generate’ vs ‘transpose’ are the same thing. Ive used both and like the PF better, currently. Tracking seems identical between all Pogs and Pitchfork (slightly laggy). Tracking seems identical between all Pogs and Pitchfork (slightly laggy). Being able to send the lowered octave signal out to a bass amp (along with it's own series of other effects thrown in, if you wanted to) can really open up the sounds you get with the pedal, and adds a ton of depth. My original plan was was the POG, which ticked the boxes but the, like many others I'm sure, discovered the Pitch Fork. Alternative title for this post: term “vibrato” to refer to what is really a tremolo effect. Yes. Oct 26, 2017 #6 I thought the sub n up mini was pretty comparable to the micro/nano pog especially at the price point. Any flaw in this logic? pog by eddododo posted Jun 21, 2015 at 7:45 PM, For Sale: Bass Guitar Strings and Accessories, The TB Bazaar: Gear For Sale from our Sponsors, For Sale: Double Bass Amps, Strings & Accessories, Wanted: Bass Guitars, Amps, and Accessories, Wanted: Double Basses, Amps & Accessories, (You must log in or sign up to reply here. Thank you for your support! The tracking on both is allegedly very similar but I've got no complaints with the Pitch Fork. Re: Nano POG vs Micro POG vs Pitchfork Wed, Aug 24, 2016 9:14pm the nano pog is the coolest pedal out there imo, I had mine modded for 2 separate channels there just isnt a pedal that can do what the pogs do, depending on the size you want they have it, highly reccomended It would have everything i need in one pedal! ), soooo...now the BL wants us to wear matching t-shirts with the band logo. Post Reply. I'm thinking of a new project at the moment involving 1 guitar and no bass. I took a punt and bought a micro pog of the forum and it's great. Although they share almost the same specifications, except for Nano POG’s lack of battery compartment, listening carefully reveals that Nano POG projects a clearer sound compared with the Micro POG. the synth lead riff in "Hot Stuff", the multi-tracked descending riff in "I Love Rock 'n' Roll", etc.

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